Monday, February 10, 2020

Dying Gauls and Fried Artichokes

In the Nave of the Basilica di Santa Maria Maggiore
We returned to the Campidoglio today to visit the museums.  It was a cloudy, misty day and perfect for indoor activity.  The line was very short and the galleries practically empty.  February really is a good month to avoid the crowds.  The two museums are connected by an underground passage that holds many artifacts. We used the passage to visit both buildings. There are a few paintings here, but mostly sculptures from antiquity.  In fact, many sculptures are called The Capitoline ....." as in The Capitoline She-Wolf.
The Capitoline She-Wolf
My favorites were The Dying Gaul and Venus.  Also liked for the sheer magnitude was a very empty large room completely covered in frescos.  It seemed a life time's work.  

Next door to the Campidiglio is the Basilica Santa Maria Ara Coeli where we saw the tomb of Cecchino dei Bracci, Michelangelo's lover.  Michelangelo designed the tomb and wrote love poems to Bracci.  Some 20 years ago when we were here our plan was to attend Christmas Eve midnight Mass in this church.  Like the best laid plans, we failed to keep that date.  So, it was nice to be there at last.  Also here is the Santo Bambino, a wooden carving of a standing baby Jesus said to be miraculous.  He is associated with healing the sick, particularly children who write thank you notes that surround the icon.  I walked around the church twice and never found the little bambino.  
Courtesy Wikipedia
Thinking it was not too far, we headed off to the Basilica of Santa Maria Maggiore. 30 minutes and 2 major hills later we found her.  And she is major indeed!  It is truly Roman in design without a hint of the Baroque. This church displays 5th century mosaics in wonderful condition.  The arch and the nave have some of the oldest representations of Mary in Christian antiquity. St Jerome is buried here in a crypt beneath the high altar.  

We had dinner tonight at Nonna Betta's, recommended in many guides we've consulted.  They are praised for the Jewish artichoke.  Artichokes are in season now, and this was our 3rd try. The critics were correct; they are the best.  Nonna Betta's is a kosher restaurant located in the Jewish quarter.  In the quarter are cobblestones capped in bronze and installed outside the last residence of victims of the Holocaust. Each plaque is detailed with the victim's first/last name, birth date, date and place of deportation, and date of death in a Nazi extermination camp.
See our day at Flickr 

Observations of two visitors
    Speeding cars and motorcycles really will stop if you are in a crosswalk.  

Churches
    Basilica di Santa Maria in Ara Coeli al Campidoglio 
    Basilica di Santa Maria Maggiore



    

Sunday, February 9, 2020

Greeks, French and the Spaniards, Too.

At the Bottom of the Spanish Steps
When we were in Vienna a few years ago we sought out Cafe Hawelka, an old venerable coffee house where well-know writers and artists would meet.  We've also been to the Algonquin Hotel where Dorothy Parker regaled and Harry's Bar in Venice where Hemingway liked to hang and beef carpaccio was invented.  In keeping with travel tradition we decided to try the Antica Caffe Grecco, the oldest coffee house in Rome.  Past patrons have included Goethe, Keats, Ibsen HC Anderson and even Casanova. While the pastries were artistic phenomenons and the joint was packed with memorabilia (as well as tourists), it felt more like a contemporary atmosphere than a walk back in history.  We paid dearly for a tiny, tiny espresso. 

A short walk on found us at the foot of the Spanish Steps admiring the Fontana Barcaccia, a boat shaped fountain that sits lower that street level and was believed to be designed by Bernini's father.  This is to accommodate for the low water pressure from the aqueduct.  We old dudes walked all the way to the top and visited the French church Trinita dei Monti.  To give the French credit, they actually paid to have the steps built in order to link their church with the Spanish Embassy.  There is a new rule in Rome; thou shall not sit on the steps.  The polizia roam (lol) the steps blowing their whistles at anyone who sits.  It's quite funny.  To the amusement of the polizia, Wayne and I helped by pointing out offenders. 

Palazzo Zuccari
Near the Trinita dei Monti are two interesting buildings.  The Palazzo Zuccari pictured above which was built by the artist Zuccari, and the Palazzo Borghese, those same people of the gardens and gallery.  See more of these at Flickr.

Observations of Visitors
     The sidewalks are a battle field. The smart phones are winning.
     The shop window designs are works of art.

Churches
     Trinta dei Monti
Fountains
      Fountain of the Piazza Colonna
      Fontana Baraccia
      

Saturday, February 8, 2020

We the People

Wayne Admires the Piazza Popolo
The Piazza Popolo is one of the grandest squares in the world.  During the Empire period, it marked the entrance to Rome.  We entered through the Via del Corso and immediately came upon the Egyptian obelisk that stands in the center of the piazza.  It is the second oldest and one of the tallest in Rome with a fountain of Egyptian-style at the base.  There are 2 other large fountains present: The Neptune and the Goddess of Rome.  But most important for me, was the Santa Maria del Popolo church where two of the most significant paintings by Caravaggio hang.  In this church are two chapels, the Cerasi, which holds the two Caravaggios and the Chigi, which holds two Bernini sculptures. The Caravaggios are difficult to completely appreciate due to the positioning on side walls in the small chapel.  Plus, you have to pay to have them lit for viewing.  Legend has it that Nero was buried at this sight. A great walnut tree grew at the burial site from which demon wolves began to haunt and terrorize the population.  The Pope at the time cut the tree, exorcized the demons and built the church. The factual basis of the legend is weak.  No kidding! 




Earlier in the day we took a detour to the Via del Babuino to check out the Fountain Baboon (Babuino). It is another of the talking fountains where people post political complaints. It is quite small and covered with moss.  Simple and engaging.  

As we walked home over the pedestrian bridge, Sisto, musicians were playing and the sun was setting over the Tiber.  

Plenty more to see at Flickr

Observations from a visitor.
      1. Dogs go to the Supermarket
      2. Italians talk very loudly, and I often can't tell if they are in an argument.









Friday, February 7, 2020

Borghese and Bernini

Wayne in the Borghese Gardens

We dedicated our day to the Borghese Gallery and Gardens.  It was about an hour's walk up to the Pincio Hill where the Gardens sit overlooking the famous and popular Piazza Popolo.  We had a 1pm entrance time and were allowed 2 hours in the galleries. This was so much better than a simple entry time, which we had for the Blake in London.  Because there was not a mandated exit time at the Blake, it became so crowded one could hardly move.  Here, it was a wide-opened look at the most beautiful works.  Cardinal Scipione (Skippy from now on) was a major collector of art and sculpture, a patron of Bernini and an avid collector of Caravaggio.  This collection is beyond fabulous.  It contains three sculptures by Bernini that eclipse any other sculpture I've seen.  And, I've seen Michelangelo's David.  Bernini also completed a David who moves with the Baroque flourish of a man filled with rage.  The Rape of Proserpine, and Apollo and Daphne are marvels of workmanship. The negative, open spaces and delicate forms achieved in the stone mystify comprehension. There is also a quite nice sculpture of Napoleon's sister, Pauline, by Canova.  She is top-half naked reclining on a sofa. Asked during the posing if she was not uncomfortable posing that way, she replied, "No, it is quite warm with the stove."  No photos are allowed in the gallery so I have downloaded these for viewing pleasure.  
David

Apollo and Daphne


The Rape of Proserpini

Pauline Bonapart
No justice here with these photos, though.  One must examine great sculpture in the round. We ended the day with a walk through a small part of the extensive gardens and found Wayne a nice fountain.

Everywhere are churches, big and small.  We can't resist sticking our heads in all of them. Each and every one is a wonder to behold with unrestrained Baroque flourishes of marble, sculpture, paintings.  We found the Chiesa San Marcello al Corso on the walk home.  

Observations from a visitor:  Shoppers bring there dogs with them to the supermarket.  There are special carts with a space for the dogs to sit.  The dogs are actually better behaved than some American's I've encountered.  

 Pics at Flickr.




Thursday, February 6, 2020

Fountains, Bones, Montague's, Capulet's Oh My, Oh My

Fountain of the Naiads
We began our day climbing to the top of the Viminal Hill where the Fountain of the Naiadis sits in the center of Piazza della Repubblica.  This area is where the Roma Termini is located and is home to the prestigious Teatro dell'Opera which we attended this evening.  It is also where the Diocletian Baths were located. Our central objective was the Fountain of the Naiadi's. It is one of the largest monuments in Rome, with four naked sea nymphs each wrestling a water creature.  Initially, the provocative nature of the fountain was considered obscene resulting in the nymphs being draped.  Later Victor Emanuel's wife said, "this is rediculous".  She disrobed them, and the nymphs could again breathe freely. 

Across the Piazza is the Santa Maria deli Angelico's e dei Martiri (see! Another Mary church) built in the ruins of the Diocletian Baths. The facade is the wall of the frigidarium; the interior of the church is designed by Michelangelo following the form of the Greek cross.  The transept is so large with vast cubical insets at either end that it appears almost as a nave.  The overall affect for me was one of a cube.


Fountain of the Tritans

Leaving Viminal Hill and headed to Quirinal Hill we passed the Santa Maria della Vittoria, where the noted Teresa in Ecstasy sculpture by Bernini presides.  What can I add to my admiration of Bernini's ability to make stone sing?  The sculpture is lit by natural light coming from a hidden sky light.  The whole thing resonates with emotion.

Further on in Piazza Barberinni we searched out The Fountain of the Tritans. It was beautifully set off by a waxing gibbous moon. Again, a Bernini designed fountain. It is the first of his free standing fountains meant as a dramatic celebration of a reconstructed aguaduct.  

Practically next door is the Capuchin Crypt, a completely bazaar yet fascinating space of small chapels beneath the Santa Maria della Concezione dei Cappuccino (Ahem! Mary!) The chapels contain the skeletal remains of 3,700 Capuchin friars.  But that is not the interesting fact.  All the bones have been utilized to create decorative motifs.  No photos were allowed so one must link here to get the total effect.  Please note that every decorative aspect is a bone.  https://www.atlasobscura.com/places/santa-maria-della-concezione

After a so-so dinner at la Locanda dei Pugliesi we walked across the street for the opera, I Capuleti e I Montecchi, more familiar to us as The Capulets and The Montagues in   Shakespeare's Romeo and Juliet.  There was not a light, fun or joyful moment in this opera. At least Shakespeare let Romeo and Juliet have a night of ecstasy.  Belini's opera was one long sad event.  The singing was superb, though.  
Some pics at Flickr.

Fountains
 The Tritans in Barberini Piazza 
 The Naiads in Piazza Repubblica

Churches
 Mary of the Angles and Martyrs in Piazza Repubblica, Viminal Hill
 Mary of the Conception with the Cappuccino Chapel
 Santa Maria della Vittoria


Wednesday, February 5, 2020

The Pantheon

Inside the Pantheon
Our walk to the Pantheon led us through the Piazza della Minerva, which was a delightful discovery.  In the center of the piazza stands the Elephant and Obelisk, a sculpture by Bernini that sits at the base of the smallest obelisk in Rome.  A short distance on, we past the side of the Pantheon which offers the clearest view of the original foot or base of the church.  Around to the front at the Piazza della Rotunda we sat on the steps surrounding Pantheon Fountain listening to a podcast about the Pantheon.  Jane's Smart Art Guides are excellent for greater understanding of specific pieces of art.  We are sharing blue tooth ear buds which are advantageous for simultaneous listening and also avoid irritating any nearby persons.  

The interior of the Pantheon is beyond amazing.  The shear space and perfect geometric dimensions constructed 113-125 AD astounds me.  I can't even construct a decent frame with power tools.  Jane described in detail how the Pantheon was built, particularly explaining the use of materials in the dome's construction.  Inside, she led us around the perimeter to each chapel, my favorite being the tomb of Raphael.  

On the way home we sought out a small fountain, The Water Bearer.  The Visigoths destroyed the aqueducts during their 410 invasion, knowing the city could not survive without that water source.  Subsequently, water bearers would gather water from the Tiber and sell it throughout the city.  During the Renaissance the aqueducts were rebuilt to supply all the fabulous new fountains.  This put the water bearers out of business.   The fountain was created as a remembrance to these men.  It is one of the 'talking' statues of Rome wherein people would post anonymous political expressions.

Our attempt at a home cooked fettuccine carbonara was, well, not so good.  We shall try again, though.  Pics at Flickr.

Tuesday, February 4, 2020

Fontane e Carciofi

The Turtle Fountain

Yesterday may have been Church day, but today the fountain rules.  The Turtle Fountain is is the Jewish Ghetto just a short walk across the Tiber.  The Jewish population is Rome is likely the oldest in the world continuously existing since 161.  As it goes with Jews, things weren't always pleasant.  Conditions in the Ghetto beginning when Pope Paul IV walled off the area were horrendous. The area suffered flooding,  all rights were revoked and living conditions were appalling.  Today the area is home to the Rome Synagogue,  the Turtle Fountain, and the Portico d'Ottavia, which are ruins about 20' below street level.  It was here that we sought out Nonna Betta, the premier restaurant to have fried Jewish artichokes.  'tis the season for them.  However,  Nonna was closed and the place next door where we ate was not all that good.  Service and wine were as always, above average.  But the artichokes were over-cooked and oily.  

After lunch we headed to the Piazza Navona for a look at the fountains, particularly the Four Rivers.  This very notable and famous fountain was designed by Bernini, our favorite Baroque sculptor.  The day was beautiful with full sun and temps in the 60s.  We sat, contemplating and drawing.  While here we entered St Agnes Church (sorry no photos allowed).  Agnes was another virgin, beheaded for her purity and devotion to Christianity.  Poor thing was only 12, an age where one should stick to virginity.  


Dinner tonight was at Endo at 21.  This is a very popular place.  Last night we were in an outside line of about 40 or 50 people where seating allowed for 30 at the most.  We broke line and made reservations for this evening.  The tables are packed cheek to jowl in the tiny area.  We sat shoulder to shoulder with 5 more.  Fettuccine with sausage and ribs was a delight.  We also tried the fried artichoke again, this time with delicious results.  


Fountains and more are here.


 














Monday, February 3, 2020

Roaming in Rome's Trastevere

Santa Cecilia
We stuck to the Trastevere district today focusing on churches.  Boy, Mary is a very popular name for a church, adding to my confusion about which church is which and where it is.  The Piazza Santa Maria (see!) near our apartment is the home for Santa Maria in Trastevere, one of the oldest churches in Rome dating back to the 340s.  Most impressive were the mosaics and the coffered ceiling. Just a complete wow.   It retains its Romanesque structure. This is also where the oldest fountain flows that I mentioned 2 posts past. Rumor has it the night Jesus was born oil flowed from the ground where the fountain was built lighting lamps for eternity. Well, for eternity or until modern times when one could verify things with google.  

Our next stop was Santa Cecilia in Trastevere. St Cecilia is the patroness of musicians.  Appropriately, a beautiful organ piece welcomed us as we entered.  Playing the organ was one of the Benedictine Nuns who live in the adjacent monastery and have charge of the basilica.  Cecilia was born into a prominent Roman pagan family.  At some point she embraced Christianity, and took a vow of virginity.  In a nutshell, she got married, he converted and honored her virginity, she angered the pagans, they cut her head off. There is a lovely sculpture of her by Stephano Maderno under the alter.  He did an excellent job showing the cut in her neck.  

Our last church was Cheisa Santa Maria dell Orto (Mary? Again?). This interior was Baroque to the max.  Not one centimeter of surface was free of design.  This church was built in an area of Etruscan encampment. It is also the reference church for the Catholic Japanese community of Rome.  

Finding dinner tonight was an adventure.  We started out at a recommendation that from the obvious line outside would not suit our patience.  So, we made a reservation for the next night and headed off to find a nice touristy spot, which we did.  It was fine.  Really.  How can one go wrong with pasta and Rome.  See pics of the churches and the martyr Cecilia here



Sunday, February 2, 2020

One Hill at a Time

Roman Forum from Capitoline Hill
We had our first official Roman meal at da Vittorio a Trastevere of pappardelle, artichokes and sausage all in a cream/cheese sauce.  My mouth is watering again!!! It served us well as an energy source for our trek across the Tiber.  We walked across the Tiber Island (the only island in the Tiber in Rome) where once stood the temple of Aesculapius, the Greek god of medicine and healing.  Today there is still a hospital and basilica on the island. As it was a day of exploring for us, we had no specific plans. Crossing the Tiber we first  walked around and then to the top of the Capitoline Hill.  Here sits the Piazza del Campidoglio designed by Michelangelo.  As well as museums and statuary, the hill top gives one a beautiful view of the Forum.  I discovered an interesting fact about the Campidoglio design.  Pope Paul III commissioned Michelangelo to design the piazza, which was to be Rome's civic center, so that it faced away from Rome and toward Vatican City.  

Down the back side of the hill, we walked the length of the Forum toward the Colosseum.  The last time we were here we could view the entirety of the Colosseum down the length of the via dei Fori Imperiali.  Today, not so much.  Large, high and very ugly walls block access and advertise where to buy tickets.  We did walk down and then returned on the other side of the street to look into Trajan's Forum and his very impressive column.

The sunset was beautiful as we left Rome, crossed the Tiber and reentered Trastevere.  A little shopping for breakfast, and we were home again.  See evidenced of our day here.


Saturday, February 1, 2020

It's a Beautiful Night in the Neighborhood

Piazza Santa Maria
We spent most of today traveling.  It was a 2 hour Uber ride to Gatwick, which by some miracle the concierge noticed was our airport when I asked the best way to get to HEATHROW. OY! 

We were met by Mateo in Rome who greeted up politely and then never spoke another word on the drive in.  He did remind us of the Italian tendency to drive as if you are in the Daytona 500.  We are housed in Trastevere, which is on the same side of the Tiber as Vatican City.  It was a stronghold of the Etruscans until the Romans took it in order to control that side of the Tiber.  It was an important Jewish center until they were forced to move to the Roman ghetto on the other side of the Tiber.  Today, it remains a funky, bohemian-like area with narrow cobble stoned streets.  Our apartment is near the Piazza Santa Maria in an area filled with every type of specialty shop one could want.  The streets were brimming with people; the shop keepers were very helpful to two mono lingual people.  Our new Italian word: Enoteca or Wine Shop.  The clerk in the enoteca wanted to talk Celtics basketball.  We love it here.

The Piazza Santa Maria has what is considered the oldest fountain in Rome dating to the 8th century.  It has been moved and redesign several times with Bernini's design now in place.  This is a serendipity because Wayne has been studying about all the fountains and made a quest to visit them.  Additional media at Flickr.
The Fountain of Piazza Santa Maria

Friday, January 31, 2020

A Brexit Day in London Town

It was a day of sight seeing, art, more art, and music.  We began the day by walking the south bank of the River Thames, which is my favorite side.  One gets a clear view of Parliament from there.  Also, Shakespeare trod that shore often.  We took about an hour's walk up to the Millennium Bridge, a pedestrian bridge that offers a grand view of St. Paul's Cathedral as one crosses over.  From there we circled back another hour for our 1pm appointment at the Tate Britain to view the William Blake exhibit.  With our timed entry we expected the crowds to be controlled.  Perhaps they were, but the rooms were packed and one had to stand in a queue moving at a snail's pace to get close up views.  It was fun to see some pieces that we've only see in reproduction before.  Favorites were The Ghost of the Flea, Newton, and The Ancient of Days.  
The Ancient of Days
The Ghost of a Flea


Newton



Early evening we walked to Trafalgar Square to visit the National Portrait Gallery prior to a concert at St. Martin in the Field.  Unexpectedly we came across streets full of Brits celebrating Brexit.  They were quite boisterous and seemingly happy.  But, a little too Nationalistic for my taste.  After the Portrait Gallery, we sought out a pub for dinner and noticed for the second night that each and every pub is over flowing with young people.  they are literally falling out the doors by the dozens.  So, Pret A Manger it was.  The concert was lovely featuring Mozart's Requiem (ironic don't you think? A requiem on the eve of Brexit).  Many pics at Flickr.





Thursday, January 30, 2020

Business Class is Better

British Air Lounge, Logan Airport
Our trip began with something new for us. That is, flying business class for the first time.  More than just larger seats that recline for sleeping, more than leg room and better food, more than free alcohol aboard, at Logan we have access to the British Air Lounge.  And a nice lounge area it is complete with multiple rooms of comfortable chairs, a complete bar and a complete food court where one can be served.  The food court has all the self help wine and beer one should reasonably have prior to boarding a plane. So there I sat with my glass of Chardonnay, snacking, very relaxed and somewhat better protected from the Coronavirus.  I've decided that once one goes business one never goes back.  

We arrived early morning in London, and used the day to revisit some places we love as we waited for the hotel check in.  We are staying in the Westminster area. We dropped our bags and walked along the River Thames by Parliament and into Westminster Abbey.  The weather is typical London, misty, cloudy but not freezing.  We had an early dinner of, what else, fish and chips at The Laughing Haddock and retired early to combat our jet lag in preparation for William Blake tomorrow.  
For some fairly mundane pictures go here.



Friday, April 19, 2019

Chicago! Chicago! That Wonderful Town!

Selfie at the Bean
We spent 5 days with Road Scholar immersed in art at The Art Institute of Chicago.  Each day included a lecture or two from curators on a particular period or painting.  We stayed at the Palmer House, which is 2 blocks from Michigan Avenue. All meals were provided at the Palmer and were a gourmet's delight. The Palmer is a perfect location for walking to the AIC.  We would arrive at 10am, get early entrance and have access all to ourselves.  The lectures were all excellent, informative and educational.  In addition to the AIC, we had evenings to ourselves when we attended Hamilton and Second City.  One free afternoon we spent in Millennium Park and the other I took an architectural tour. Lots of artsy pictures at Flickr.

Friday, November 9, 2018

Now is the Winter of Our Discontent.



Our lessons continued this morning with 3 intensive workshops. Embedded stage directions are found within the dialogue, ie, "I will strike you with my sword" indicates the need for a sword prop, and "thou must arise now" indicating movement.  There were no directors or stage directions given by Shakespeare.  Actors (and today's directors) must find all movement, props, proximity within the dialogue.  

Direct Address examined how and/or when the actor engaged the audience.  Blackfriars Theater uses a thrust stage, which is one that projects into the audience.  They also leave the lights on throughout the production.  All of this acts to engage the audience with the players, the players with the audience, and the audience with each other.  At the discretion of the actor, he/she may directly address the audience with dialogue, gesture or touching.  

The final, and best, workshop was a study and discussion of Richard III, the play we saw this evening.  We've seen this play several times so have a somewhat basic grasp of the plot and characters.  What benefited me from the discussion was the final take away of, "don't try to figure constantly how one character is related to another.  Just enjoy the scene, the drama happening between and among the characters.  

For the most part I have enjoyed the workshops, the people in our group and the performances.  The knowledge and experience within the group is wildly varied and that makes for a tough workshop that can satisfy all people at all times.  So, truly, we weren't that discontented.

This afternoon was free, and we went to the Woodrow Wilson birth home and the Presidential Museum. At the Wilson house where we were negatively impressed with his enhancement of legalized segregation in the Federal Offices. He was initially opposed to women's voting rights.  Not a stellar man. 

Richard III was a bit of a surprise in that it was played with comedic relief, which we thought was overdone at times particularly the murder of Clarence scene.  The audience was involved in several scenes (Direct Address).  All in all a delightful night and week.   No additional pictures today.  It was raining, and I was negligent. 



Thursday, November 8, 2018

Verse and Rhetoric, Protest and Play

Staunton, VA MoveOn Rally

I feel like I'm back in Mrs. Netabel Rice's Senior English class.  Two workshops today focused first on verse and next on rhetoric.  Verse is fairly easy to grasp and to find in Will's plays.  It's either prose which uses rhetoric or verse with meter.  Our task was to see how actors decide to perform the lines by examining the meter and with regard to stress on words.  We're all very familiar with today's political and proselytizing rhetoric.   As a playwright, Will used rhetoric to help the audience to understand the character, and used it to provide the actor with cues on how to behave physically or vocally when delivering the lines.

This afternoon our workshop was on tonight's play, The Man of Mode, a restoration comedy..  The teacher, Aubrey, is a former English teacher, and it shows.  She's very dramatic, very organized and very good at engaging us all.  We got the general plot and character list of the play as well as an overview of the comedic structure.  

At 5pm we walked to the Courthouse to participate in a national event organized by MoveOn to protest Trump's firing of Sessions.  I have no respect for nor like of Sessions.  His over reach into states' rights is the worst of any AG ever.  However, I more than my opposition to Sessions is my opposition to Trump's move to begin the first steps toward firing Mueller.  Remember the Saturday Night Massacre.  There was a group of about 60-80 people there with appropriate signs, the best of which was "lock him up".  Although the crowd was not huge, the woman who organized it has vision, determination, and persistence in protecting and maintaining our Democracy.  Channel 3 appeared for a quick filming.  We had more positive honking from passing cars than I anticipated.  One of the participants said it was difficult in the area to oppose Trump.  She cries often.  

We got word that tonight's performance had been cancelled.  We can't remember ever having a theatrical performance cancelled.  It's bazaar.  Perhaps tomorrow will tell why.  Tacos at The Bistro were excellent.

Pictures at flickr.

Wednesday, November 7, 2018

Much Ado About Everything

Wayne Musing in the Blackfriars Theater
We have begun our immersion into all things Shakespeare.  We had two classroom sessions today.  The morning session dealt with the way in which Shakespeare's (from now on to be referred to as Will) plays moved from his hand, the foul, to a scribe who would neatly recopy, the fair copy, to the quarto, a printed edition. This illustrates all the opportunities available to somewhat change a word or intent of Will's. Our presenter, Sarah, spent time explaining how the actors of Will's time would often perform 3 or 4 different plays a week.  They had to have all that language and its intent in their heads. She illustrated how the actors listened for the cues to know when to speak. We learned how each actor was given small scroll ROLLS to hold and refer to as they acted.  Hence, roll became the actor's role. Each roll only contained an individual actor's lines with the cue above each of their lines.  The cue was the last 2 or three words of another actor.  We also had a tour of back stage, which is very tiny.  The theater is built on the same footage and design as the theaters of Will's era.  

Afternoon's class was on As You Like It, the play we saw this evening.  The teacher, Aubrey, did a great job of breaking down the plot and all the characters.  We each took a character role and spoke a short line. Aubrey explained that characters relationship to the other characters.  Yes, the play is that complicated and even silly.

We took advantage of some free time this afternoon to visit the Trinity Episcopal Church, which has 12 Tiffany Windows.  Everything is so beautiful with the fall leaves both to walk through and observe on the trees.  Inside the church we were fortunate to hear someone practicing on the organ.  

Tonight's performance of As You Like It was delightful and easily followed thanks to our workshops.  All the actors also play a variety of musical instruments.  They gave a 20 minute concert prior to the show.  This play has the most musical interludes of any of the Shakespeare plays. 
Pictures available at fickr. 

Tuesday, November 6, 2018

Staunton? No, Stanton

Virginia
Well, it's spelled Staunton...but you better pronounce it Stanton.  Named for Lady Rebecca Staunton, the pronunciation follows her lead.  We are here to join with the Road Scholar Shakespeare program.  We had another beautiful drive today through the Shenandoah Valley.  Staunton is the birthplace of Woodrow Wilson and home to the American Shakespeare Company.  Founded in 1747, there are 6 adjacent historic districts in Staunton. Architectural styles are mixed, much of it attributed to TJ Collins who designed or remodeled some 200 buildings.  

Our hotel, Stonewall Jackson, is adjacent to the Blackfriars Playhouse, where we will see two Shakespeare plays and one restoration play. Tonight we met all the participants over dinner.  As usual, the Road Scholar crew is interesting and interested, very well traveled, and older than normal. Tomorrow the day begins early with a lecture on Shakespeare's Globe and a tour of the playhouse. 

Stonewall Jackson Hotel

Monday, November 5, 2018

We Meet With the Obamas

Michelle Obama, National Portrait Gallery
President Obama, National Portrait Gallery




















This morning we walked down to the National Portrait Gallery with the main objective of seeing the Obama portraits and to meet up with Adam.  Michelle (yes, I call her Michelle) has been moved to the 3rd floor because her popularity overwhelmed the new acquisitions space.  She has her own special guard of whom I asked, "what are the best comments you remember?"  She said that more than comments what touched her were people who came in and immediately began to cry.  She doesn't know how to comfort them. My photos do not capture the colors.   The President's portrait is much more chromatic than the reproductions show.  Perhaps his aura is simply too strong to be contained.  Wayne said it looked almost back lit.

The National Museum of African American History and Culture, (a far, far too long name that can't even become an acronym) was our next visit.  We had lunch there.  They have regional cafeteria style choices.  We all went for creole with gumbo and shrimp and grits. It was very good.  The museum is packed with artifacts and information more than one could ever absorb in one visit.  It is 3 stories with each floor covering a period from slavery's beginnings to Civil Rights.  Oprah has her own special exhibition area.  Do you think she gave some money? Adam was surprised at how much I remembered and lived through in the Jim Crow era.  We enjoyed spending time with him, a too seldom activity

Tonight was dinner at the Founding Farmers, the latest hot spot in town with farm to table cuisine.  Our waiter, Curtis, was tres beau.  And the food was tres delicieux.  Atmosphere was conducive to good times.  Pictures at Flickr.

Sunday, November 4, 2018

From Barnes to the Bottom Line

The Barnes Foundation
Before leaving Philadelphia we made a stop at the Barnes Foundation.  The collection there is world renowned and well deserved.  It was first Sunday free admission.  The place was packed with families.  In the past when we visited the Foundation in the suburban location the visitors were limited to about 20 a day.  This is so much better for all except for us today.  We skipped the permanent collection where the entrance line was dozens deep.  We went to the temporary exhibit of Berthe Morisot's work.  You could see the influence of Manet in her blacks and Corot in her use of light.  Her works don't really move me other than the evidence of her hand.  I'm simply not a huge fan of the Impressionists except for their influence on the approach to painting. The architecture of the Barnes including the reflection pools is sublime.  One enters the Barnes by passing the low reflecting pools.  They were particularly effective today with the fall leaves and the fallen leaves.  

On our way to DC we sharpened our perspective on Richard III through an audio tape.  He indeed was the rascal Shakespeare portrayed.  But the tape did help us understand Trump so much better.  Also, we learned that Clarence was not the innocent Shakepeare wrote him as.  Once in DC we went to the Bottom Line for a very late lunch.  A subterranean bar filled with televisions broadcasting the Redskins and Falcons, the Bottom Line was my kinda joint.  Following that beer and corned beef lunch and a quick nap, we met Adam, Maura and Vanessa for dinner at the Cafe Mozart.  We caught up on their lives and departed with plans for tomorrow with Adam. We still appreciate German cuisine as much as we always have, ranking up with Irish and English.
A couple of pictures at Flickrhttps://www.flickr.com/gp/minkcove/iG4U73